Thursday, January 26, 2006

War of the Worlds

Ok, so I finally saw the movie for the first time a few days ago (after Wipert pestered me to see it about 6 months ago), and for the most part I was pretty impressed with the cinematography. The scenes of people being zapped into nothingness was gripping to say the least, and it's about as good a Spielberg movie as he's made in the past 10 years (*hack* A.I! *cough) I still can't get over the scene of people going crazy and ransacking the van, stuff like that. The pyschological impact of the apocolyspe.

But still, the one thing that annoys me the most about films that most people probably never notice is the goddamn errors in the logic of the film, or the science of the film.

Example number 1: When the aliens first start raining down near Ferrier's house, we see the EMP, and they go on about how the EMP is supposed to fry all electrical applicances from within a certain area. Fine, well enough. But why, after the EMP fries everything, including phone lines and car electronics, does that one asshole with the video camera have one that works? Certainly it would've been fried by the EMP? Unless he has some special wood-burning video camera that they used to make back in the 70's. Go figure.

Example number 2: When the cars are all shorted by the EMP, Tom Cruise brazenly advises his friend (the guy who runs the garage, Cruise later steals his car and the guy gets fried as a result) that all he has to do is "CHANGE THE SOLENOID!" Whatever the hell the solenoid is, it must be something magical and amazing, because it's immune to an EMP blast. Certainly, the EMP would just fry all of the solenoids, whether they were being used in cars or not, to the point where replacing one solenoid with another wouldnt' make a difference, they all would've been fried anyway. Maybe I just need a more specific explanation of how an EMP blast would affect all solenoids ina ll cars, except the ones being used?

Example number 3: We see Tom Cruises' house and city destroyed to rubble, and then, as the machines follow him out into the country, spend ALL this time and effort to destroy and turn farmland into rubble and this giant red wasteland. Ok, fair enough. But then when Cruise comes back into Boston, 90% OF THE FUCKING CITY IS STILL UNTOUCHED! Why would the aliens spend all this time destroying every city in the world (as they claim in the film, specifically "Europe got the worst of it"), and then to spend precious alien(man)power to raze and loot the countryside, yet would just conviently ignore one of the major cities in the United States for the sake of plot resolution?! What the fuck?

Example number 4: (ties in with number 3) When Tom Cruise was in the aforementioned countryside, and we see the military stepping up its assault on the machines so that the refugees could get to saftey, Ray's son Robbie chooses to "fight" the machines, and claims that he needs an emotional experience of being "let go". Whatever. In any case, we're to believe that he's going to go off and die for his country and blah blah blah. So ok, he's dead. But no, at the end of the film, in a miracle of divine intervention, he's alive. He only managed to survive all those GIANT fireballs, machines laying waste to everything, and going about capturing every person they could find. But I guess all of that didn't matter, because he got out ok, and then manages to get back to Boston before Tom Cruise and Dakota Fanning. WTF?

You gotta lotta 'plaining to do, Senor Spielbergo.

Tuesday, January 24, 2006

A hell of a way to make your fortune...

Jesus, where the hell has "Deadwood" been my whole life? I pretty much watched the entire first season in about 3 days, and I'm catching up with the new episodes. HBO, you've done it again!

Getting into specifics, while I may be a fan of your general "western" (see Clint Eastwood or other Hollywood films) fare, the biggest issue I have with them is the GLARING lack of any semblence of historical realism. And thus, Deadwood shines. The language, clothing, and even look of the (I guess it's fictional) town in the Black Hills of South Dakota is spot on. I also love the fact that they coincide the events of 1876 South Dakota with real events such as the annexation of the Lawrence Territory as well as the treaties with the Sioux Indians. It just brings out the history nerd in me, I suppose.

I also think the characters are extremely captivating and three-dimensional, and the writers aren't afraid to kill off a major character in order to facilitate a plot twist or whatever. Notice Wild Bill Hickock, a major character in the first 5 or so episodes, getting his head blown off. Or the murder of the rich Yankee Brom Garret in order to acquire his gold claim. Genius.

Now if only I could find out when the hell that show is regularly on HBO...

Sunday, January 08, 2006

ramblings and whatnots.

Been a long time since I last posted...

So I got a job as an assistant manager at Hollywood Video, should be pretty sweet with all the free video game/movie rentals. I finally get to boss people around, too. Apparently Tim, the manager, was impressed with my knowledge of films, so at least my precious film degree is earning me something. I also found out that Pat Klein, of Wisconsin Hills/Pilgrim Park/Cuckoo Land fame was one hell of a thief, having made off with $900 worth of stolen DVDS before he was fired over the summer.

New Years passed, thankfully there wasn't some melodramatic party with lots of bullshit resolutions. You can save them for the greeting cards. Was nice to see lots of friends, though.

Got my grades back. I earned an A for "bastard", so I can now look forward to the pleasure of Basic II with Scott next semester. (Best TA ever)

I also have another film to add to the vault of "forgotten, but genius films": 2000's "Fortune Hunters", http://www.imdb.com/title/tt0172464/
starring Alison Loman, Golden Girl's Estelle Getty, Milwaukee's own Mark Metcalf, and the one, the ONLY superstar COREY FELDMAN. With a breakthrough performance as a sleazy BMW salesman trying to steal the winning lottery ticket from an accountant's family, one has to wonder if his later success on VH1 reality shows owes a bit of debt to this film.